Category Archives: Drinks

Blackberry Liqueur

GO PICK BLACKBERRIES NOW

There are a ton of recipes that have red wine or brandy and require cooking, forget all that, I promise you will love this I have been making this for about 10 years now.

You will need about 1kg of blackberries rinse them but don’t worry about anything else.

Put the blackberries in a large ceramic container I find a large soup kettle with a lid is ideal.

Pour on two bottles of full strength vodka don’t buy any expensive ones you want the alcohol and no flavour.

Now leave these soaking for a month and when you remember give them a little stir.

After 1 month using a potato masher give it a light mash just to break the berries.

Pour on 2lb or 1kg of granulated sugar and give a good stir.

Give a thorough stir every time you remember for the next 2 months.

After 2 months give it a good mash and stir and then leave another 2-3 days, get sterilised bottles strain the lucious liquid into bottles and leave for 2 weeks.

This amazing syrup can be used in cocktails to make Kir Royale and even poured over crêpes.

Quarantini Martini

QUARANTINI INGREDIENTS 

You luckily only need 3 ingredients to make this Quarantini. This is perfect since the stores are sold out of everything and in epic chaos. I bet you already have everything you need.

Vodka (or gin)

Lemon

Honey

You can use vodka or gin. And sure, if you want to you can even use rum. You know what, grab whatever is left in the drinks cabinet and add it to the martini shaker. After the first couple, you won’t taste it much anyway.

  1. Rim your glass with Vitamin C. Place vitamin c on plate, wet the edge of the martini glass by running a lemon wedge around the edge and then press into vitamin c. You can also run water or honey around the edge of the glass.
  2. Squeeze juice of half a lemon into shaker, add a good dollop of honey and a large measure of spirit, gin or vodka. Shake with ice and strain into your rimmed Martini glass.

Gin and Tonic Cake

Great for afternoon tea or a summer celebration, and perhaps the only time it’s acceptable to have gin and tonic for elevenses.

For the gin and tonic syrup
150ml tonic water
100g sugar and 30 juniper berries, crushed
30ml gin

For the sponge
300g soft butter
300g golden caster sugar
approx 40 juniper berries, crushed finely
grated zest of one lemon and one lime
6 medium free-range eggs
300g self-raising flour with a teaspoon of baking powder sifted in

For the gin and tonic lemon curd:

40ml gin
250g of good quality shop bought lemon curd

For the lemon and lime butter cream
200g soft butter
Zest of one lemon and one limes, 1 tablespoon of each juice
450g icing sugar

Edible flowers are available from Sainsbury’s in the fresh herb section

Method

Line two 8 inch round cake tins with baking parchment and preheat the oven to 170 degrees fan.

Make your gin and tonic syrup ready for the cake once baked;

Bring the tonic water, sugar and juniper berries to the boil, and then allow the liquid to reduce to about half of the original volume. Leave to cool, strain out the berries and add the gin to the syrup.

For the sponge: Cream the butter, sugar, crushed juniper berries and lemon and lime zest together until very pale and fluffy.

Slowly beat in the eggs until combined.

Gently mix or fold in the flour gently until just incorporated.

Spoon into the cake tins, half the batter in each and bake for approximately 25-35 minutes, to test a skewer or knife should come out clean.

Remove from the oven and leave to cool for 5 minutes then turn out and remove the paper.

Pierce some holes over the cake with a skewer or cocktail stick and generously douse in the gin and tonic syrup by brushing over liberally with a pastry brush. Leave to cool completely.

For the gin and tonic lemon curd: stir the gin into the shop bought lemon curd.

For the butter cream: Beat the soft butter, zests and juice of the lemon and limes with the icing sugar. A hand whisk or free-standing mixer is easiest to do this or if not, lots of elbow grease!

To assemble the cake, slice each cake in half again through the centre to create two layers per sponge, so you have 4 layers in total.

Layer up with a spread of the curd over each layer and a spread of the buttercream between each of the sponges.

Top with a little more buttercream and decorate as you wish. I used crystallised edible flowers and candied lemon and lime pieces. If you prefer keep it simple and add a little more fresh lemon and lime zest.

Optional for decoration:

For the candied lemon and limes:

Slice a lemon and a lime into slices, roughly 4-5mm thick.

Gently bring to the boil 100ml water with 100g of caster sugar. When simmering, lay the slices into the sugar syrup and simmer gently for xx minutes.

Recipe for the Edible crystalised flowers:

Beat one egg white until foamy and paint the petals of your flowers carefully making sure you get in between all the nooks and crannies.

Dust over with fine white caster sugar and leave to set for at least 24 hours on a piece of parchment, so they set hard and dry. These should last for up to two weeks. Alternatively use fresh edible flowers as they are.

 

Turbo Gin & Tonic

Ingredients

35ml Gin (Gin Foundry uses Sipsmith at Junipalooza)

10ml Sandows Cold Brew Coffee

Tonic water

Lemon peel to garnish

Method

Pour the gin over ice into a Collins glass.

Add the cold brew coffee, then top up with tonic water and garnish with a long lemon peel.

We recommend either using a classic gin or a citrus forward gin in a Turbo G&T – the coffee wants to dominate the mix and you need either some fresh acidity or big punchy juniper core to balance it out.

So who’s excited about their first Turbo G&T then?

Pimp your Gin and Tonic

If you’re partial to a gin and tonic, then here’s a product we know you’ll love. Personalising your drinks is all the rage at the moment, so these new botanical packs from OriGINario are just the thing.

originario

There are four contrasting styles each one adds an intriguing slant to your G&T.

Floral – roses and lemongrass
Mediterranean – lemon and orange peel
Spiced – star anise and clove
Traditional – juniper berries and Brazilian pepper

Either pair your botanical pack with a complementary gin that is similar in style, or go leftfield and choose a contrasting style – either way, the result will be a cut above your average G&T! Once you’ve made your drink, simply add the contents of the pack, and you’ll notice a fresh hit of aromatics that takes your G&T to the next level.

Available for £16.95 from the Whisky Exchange

Sharish Blue Magic Gin

bright blue Portuguese gin from the Sharish range. The only difference from the regular Sharish is the magnificent colour that comes from all natural extracts of the Clitoria Ternatea flower, also known as Asian pigeonwings, bluebellvine, or the blue pea. According to the producer this Gin has a magical touch. When tonic water is added and both liquids are mixed it will transform into a light pink hue! In Sharish Blue Magic delightful notes of strawberry and fresh raspberries give it a sweet, refreshing flavour. Warming notes of coriander and cinnamon develop behind the juicy fruit and there are traces of citrus and other sweet spices from the botanicals that include juniper, coriander, angelica root, ginger, cinnamon, cardamom, lemon peel, strawberry and raspberry.

Caipirinha

1 Lime

2 and Half Measures of Cachaça

1 and half tea spoons of sugar.
Cut lime into 8 pieces.

Put lime and sugar in glass and muddle until sugar is disolved.

Add Cachaça and muddle some more. Add ice and muddle more.

Bacardi Cocktail

A simple but delicious cocktail, very moreish.

1.5 Measures of Bacardi

1 Measure of Lime Juice

0.5 Measures of Gomme Syrup

1 teaspoon of Grenadine

Put ice in shaker with all ingredients and shake thoroughly.

Garnish with a cherry.

Enjoy

Flat White vs Latte

Flat White vs Latte

A flat white is not just a small latte. They are very different drinks. If you’re caught in a cafe that doesn’t serve a flat white, then a small latte might be a passable substitute, but they’re not the same drink. The flat white vs latte debate is common in the UK and USA where the Flat White is still new.

Flat White and Latte

I drink flat whites and my girlfriend drinks lattes so I’ve seen the difference between the two drinks in cafes across England, France, Spain, Denmark, USA, New Zealand and Australia. I’ve had a lot of discussions with baristas and it’s time to shine some light on the common debate about “What is a flat white?

How can a small latte, a flat white and a small cappuccino all use the same shot of espresso and be served in the same cup but still be different drinks?

How much coffee is there in your coffee?

We can hold the preparation of the espresso as a constant. You can have a double shot or a single shot in a flat white or in a latte. Some people would say that a single shot flat white isn’t really a flat white, but that’s a bit too purist and there are plenty of cafes in New Zealand and Australia that do serve singles.

It’s not the size of the cup, it’s what you do with it

In most cafes, a flat white is smaller than a latte. But that doesn’t mean that a flat white is a small latte. It’s a bit like saying that a shed is just a smaller house. Sure, most sheds are smaller than most houses, but size isn’t the decisive factor. If a barista has been un-trained (or over-trained) then they may think that size is the only difference between a flat white and a latte. I like asking those baristas what the difference is between a cappuccino vs a latte because they have to fall back on the real differences (beyond just size).

Milk is the forgotten ingredient in a latte

If we hold the espresso as a constant, then what makes a flat white versus a latte or a flat white versus a cappuccino is the milk. Milk is the hidden ingredient in a modern coffee. Most people forget how important milk is to a good coffee. When milk is frothed with a steam wand there are three layers that form:

  • Heated liquid milk at the bottom of the pitcher
  • Velvet microfoam in the middle of the pitcher (these are very small bubbles)
  • Stiff froth (these are larger bubbles)

The important process of “stretching” the milk by frothing, folding and swirling it is done to maximise the amount of velvet microfoam by blending the large bubbles and the liquid milk. Without swirling and tapping there would still have some microfoam but you’d never know it in the cup because it would be lost in the liquid and/or the froth.

Flat White Milk at Flat White Cafe

The art of frothing milk is to keep the steam wand at the surface of the milk (that pleasing steamy sound you hear in busy cafes). Most baristas learn to froth milk pretty fast because it’s obvious when it works or doesn’t. The main differences between drinks and between baristas arise when the steaming is finished and it’s time to pour the drink. – A good barista will swirl the steamed milk around to fold the froth back into the liquid and create a seamless pitcher of velvet microfoam. Some might tap the pitcher on the counter to pop the worst of the big bubbles on top (as part of folding the milk). But this is unnecessary if you’re swirling the milk smoothly enough.

Crema

Crema is the orange caramelised coffee that floats to the top of an espresso. It tastes sweeter than the dark coffee part but it’s very vulnerable and can be destroyed by sitting too long or being drowned in milk. A cappuccino sacrifices the crema under the weight of the stiff froth and a latte can kill the crema with milk. One of the main ways of telling if you have been served a good flat white is how much of the milk has merged with the crema to form an even dusky orange swirl. This coloration of the milk is the starting point of latte art.

How to make a flat white different to a latte

An excellent barista can “free pour” straight from the pitcher using speed of the pour and the tilt of the jug to choose how much froth, foam or liquid to pour into any given drink. A mid-level barista is more likely to do it like this:

  • Cappuccino: spoon the stiff froth into the cup and then top up with a pour from the jug.
  • Latte: Pour the liquid milk from the jug with a spoon to hold back the froth and then top off with a dollop of froth.
  • Flat white: Free pour for a mix of froth and liquid.

Like any human endeavour, there is a bell curve to the skills of baristas. The most ignorant of baristas will make a flat white, latte or a cappuccino all the same. After all, they’re just a “milky coffee”. Ironically, some very high end baristas have the same attitude because they take so much care with frothing, folding and pouring their milk that every coffee is made like a perfect flat white with an even mix of liquid, microfoam and froth.

Latte and Flat White

The net effect of this variety of approaches to the milk is that the drinks will feel different in the mouth and may taste different because of the dilution of the coffee with liquid. In terms of mood and mouthfeel:

  • Cappuccino has stiff foam and feels like drinking bubbles with a bed of coffee hidden at the bottom.
  • Latte is milky, has a little foam on the top and feels like drinking a milky coffee.
  • Flat White has an even mix of liquid milk and smooth velvet foam so it feels like drinking an espresso, only yummier.

The best way to test the flat white vs latte would seem to be to go to a small independent cafe and order a cappuccino, a latte and a flat white. But the goal of ordering a coffee isn’t really to compare a static reality, it’s to express to the barista your intention and desires. So order based on what you’d enjoy: a frothy treat, a milky warm sensation or a short sharp shot of coffee that goes down easy.

Nightjar Cocktail Bar – City Road, Old Street, London

Last night I tried out Nightjar bar just round the corner from Old Street Tube Station. The entrance is quite discrete and we walked past twice.

Nightjar_-Britta-Jaschinski1

We arrived at the entrance to be greeted by the door person who checked our name off on the list and we were allowed to “step inside” and make our way to the top of the steps but to go no further! We were then told we were allowed to descend the stairs and taken to our table.

The cocktail list, divided into historical eras (pre-Prohibition, post-war and so on), makes for enthralling reading with all its unexpected ingredients, including: smoke, squid ink, burning pine cones and foam. Part of the fun here is watching the way the cocktails are mixed using smoke machines and blow torches. It’s a full table service and the staff know the cocktails inside out so you can get recommendations.

Prices range from around £10-£14 per drink, so pretty much normal cocktail prices, but nothing about these cocktails are normal and they certainly pack a punch! We had to try the one with Squid Ink, the smell wasn’t great but the it was surprisingly delicious and well worth a try!

The only downside – we had a table booked from 6-8pm and at 7.30pm we were told that our time was nearly up and we should consider buying our last drink and we would have to leave, only to be repeated by another waitress shortly after.(However, we did manage to persuade them to give us another table as they’d had a cancellation.)

If you’re in the area it’s well worth a visit, but you must book a table as you won’t get in.

129 City Road
London
EC1V 1JB

www.barnightjar.com

Open 6pm-1am Mon-Wed, Sun; 6pm-2am Thur; 6am-3am Fri, Sat